Visual
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Classic artwork
Seurat imposes a classical order via symmetry and frieze-like poses against the chaos of an atomizing modern city and class instability after France’s 1870 war with Prussia. Begun in 1884, its fractured style and contemporary subject matter build upon Impressionism as an avant-garde departure while seeking timeless order – resolving tensions between science and lived experience. Standing over 7 feet, it remains a pioneering beacon in European modernism.
Despite his own dire financial condition, Van Gogh had always supported the work of his friends, particularly Bernard and Gauguin. His brother Theo got a little sum of money in the summer of 1888, a portion of which went for Van Gogh’s ongoing care. Theo recommended Gauguin stay with Van Gogh in order to save the two painters’ expenditures by sharing their lodging.
Seurat imposes a classical order via symmetry and frieze-like poses against the chaos of an atomizing modern city and class instability after France’s 1870 war with Prussia. Begun in 1884, its fractured style and contemporary subject matter build upon Impressionism as an avant-garde departure while seeking timeless order – resolving tensions between science and lived experience. Standing over 7 feet, it remains a pioneering beacon in European modernism.
Despite his own dire financial condition, Van Gogh had always supported the work of his friends, particularly Bernard and Gauguin. His brother Theo got a little sum of money in the summer of 1888, a portion of which went for Van Gogh’s ongoing care. Theo recommended Gauguin stay with Van Gogh in order to save the two painters’ expenditures by sharing their lodging.
The world of fine art is filled with iconic, timeless masterpieces that have left a lasting impression on the collective imagination. From Michelangelo’s Sistine Chapel ceiling to Van Gogh’s Starry Night, these works of art have come to symbolise beauty and creativity for generations. These masterpieces also represent the responses and interpretations of individuals to political, religious and social events and stories throughout history, giving us an insight into the human experience.
Frederic Leighton was a genius academic painter who was part of the Aestheticism movement. Aestheticism is centered on the doctrine that art exists for its beauty alone and doesn’t need to serve any political, didactic, or other purposes.
Empire of the Sun artwork
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
Shomei Tomatsu (Japanese, 1930-2012) Atomic Bomb Damage – Wristwatch Stopped at 11.02, August 9, 1945, Nagasaki 1961 Gelatin silver print on paper 253 x 251mm Tokyo Metropolitan Museum of Photography, Tokyo
Simon Norfolk (British born Nigeria, b. 1963) Bullet-scarred apartment building and shops in the Karte Char district of Kabul. This area saw fighting between Hikmetyar and Rabbani and then between Rabbani and the Hazaras 2003 © Simon Norfolk
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
Shomei Tomatsu (Japanese, 1930-2012) Atomic Bomb Damage – Wristwatch Stopped at 11.02, August 9, 1945, Nagasaki 1961 Gelatin silver print on paper 253 x 251mm Tokyo Metropolitan Museum of Photography, Tokyo
Simon Norfolk (British born Nigeria, b. 1963) Bullet-scarred apartment building and shops in the Karte Char district of Kabul. This area saw fighting between Hikmetyar and Rabbani and then between Rabbani and the Hazaras 2003 © Simon Norfolk